I first placed music online in 1996, a WAV file recorded through a microphone to promote the sale of an album I had under license on my indie BeanBag label featuring Georgie Fame and Van Morrison. I cheered for other music industry executives like Larry Rosen of GRP Records when he launched Music Boulevard online around 1997. I licensed songs by Jesse Colin Young (founder of The Youngbloods) to music publishing expert Bob Kohn’s eMusic.com for a cash advance against future royalties that had us partying like it was 1999. But by the year 2000, any hope of that engagement between legal music and the Internet leading to a new future was pretty much dashed by an online startup corporation named Napster that provided free music downloads. Though a Federal court would find Napster guilty in 2001 of providing illegal copying similar to a counterfeiting operation, the business model known as “DMCA ‘Safe Harbor’ corporations” was launched.